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I woke up across from an older, Italian man.
“Alright, let’s talk about South Rockspring a bit” I said, as I was being directed to by an unseen hand.
“Why do you want to talk about it?”
“Weren’t you a founder?”
“Yeah, I wanted to get away from the memories, and you should, too”
I wake up, again, in a cold sweat. Shit, another nightmare.
I jumped the gun in my last entry, and should probably find a better way to get into Argentis and absolutely confirm when Argentis opened that night. A lot has changed since I did that last entry a couple months back and had that nightmare. It’s winter, for one, and doing outdoor walking tours is off of the table. That being off the table means lease renewal never happened, and to keep it brief, I live in South Rockspring now, in a house whose owner is functionally never around. I’ve been able to make ends meet by editing some short form content for other local creators, but it pays the bills at a very basic level unfortunately. The cassette still lingers in the back of my mind. Who are the 10 that are unaccounted for in the interview?
One day, as I was commuting to a walking tour site in Rockspring, I passed by the Argentis warehouse and a fence was up, along with a single security guard standing outside like a sentry. This set off a light in my head If there is a guard outside and fencing, someone must own the building I thought to myself. I went to the Illinois Secretary of State website, doing a property search by address to see if anything would pull up. Sure enough, the building was owned by a property Management Group called Landen Capital. Pulling up the site yielded several project pages, including one for Argenti’s address called Speakeasy. I snorted. Someone on the project knows the history of the building. The concept looked interesting enough, it seemed like the renderings would be true to what a 1920’s speakeasy was, but as someone that has lived in the city and seen several renovations, how true it would be to the theme was TBD until opening day. Scrolling down the page, I found a name. Jerry Landen – Principal, along with a link next to it to send him an email.
Naturally, I reached out
To: Jerry.Landen@landencapital.com
From: cole.springer81@gmail.com
Subject: Speakeasy – Collaboration ideas?
Date: December 15th, 2024
Hello Mr. Landen,
I hope you are well. My name is Cole, and I am a tour guide that does historic tours of old buildings. I would love to help promote Speakeasy by doing a tour with the press and a tour of the old Mayberry building, but did see that there is a fence around it. I am curious if I can get access to the property to do a scouting tour. I work an irregular schedule, so getting access between 8:00-10:00 PM (usually when I get off) would be ideal. Let me know if that would work for you.
Sincerely,
Cole Springer
Spring Into Action History Tours
Shot in the dark in the middle of December, so let’s see if it hits anything. In the meantime, the Mayor is about to announce Vision 2030, a plan to renovate and pedestrianize 18th street. I saw the push notification on my phone, tried to read the article, but passed out before I could get a paragraph in.
I woke up in a cold sweat, outside of my bed and lying in the middle of an empty, dark warehouse. As I start to wake, I turn on my phone flashlight and start to make out some features Argenti’s I think to myself, recalling the tiktok videos and bloodybones now infamous 2017 video. A small wall clock suddenly comes into view on one of the old beams, with the time reading 8:37. That’s about half past eight I thought to myself. More objects come into view as sound begins to fill my ears. A bar, filled with bootleg liquor to my left. To the right, a stage with jazz instruments playing early 1920’s standards. The hoots and hollers of patrons. This place is hot, a voice echoes from the bar.
Damn Sammy is back again
I think he’s starting to figure out another, deeper, more gruff voice chuckles as it drifts toward the stage.
After looking around to find the source of the voices, a larger prize Right under the beam with the clock is an ACME police whistle. As if possessed, I pick up the whistle, put it between my lips, and blow.
Suddenly, the space goes quiet and completely dark again. I then hear the sound of bullets and the words that sonnabitch is…
I woke up in a cold sweat. Just a dream I tell myself. I swear
Another two months pass. The winter is the typical Rockspring winter, brutal with patches of hope. Tour income helps me afford the house, but I guess the value of historic research is about 170 square feet in 2026 based on what I am paying for the opportunity to rent a room. One day, as I’m doing research on a cryptid horror enthusiasts are calling the Rockspring Raptor, I get an email back from Jerry Landen.
From: Jerry.Landen@landencapital.com
Subject: Speakeasy – Collaboration ideas?
February 6th, 2025
Cole,
Thank you for your patience in my response. We have been approved for the rezone to build Speakeasy, and would love to consider a tour partnership in the next couple of weeks to begin the promotion process for a late April opening. The one caveat, however, is we would need to have you coordinate with Frank (CC’d) above, our swing shift security guard. Frank, what times work best for you?
I was elated. This could be what was needed to start building a nest egg to at least have a condo in South Rockspring if I played my cards right. I went back and forth with Frank, settling on meeting him on Thursday February 26th at 7:00 PM.
As I walked through the month old construction on 18th Street, mostly buried under a coat of frost, I had a sense of dread over me. I had snagged an ACME whistle from a collector in the UK, a history nerd that wanted Argenti’s story to be told, and headed towards what looked like a door in the fence. On the other side, waiting in a black security hoodie, was Frank.
‘You looking to get in?’ Frank said, sounding slightly exasperated.
“Yup, its Cole, we have been coordinating over email”
‘Okay’, Frank responded, dismissively.
Frank opened the fence door.
‘Get inside, it’s chilly out there’
Frank opened a makeshift door created by the construction team and I followed him in. ‘What floor?’ he asked.
‘3rd’ I said. Doing additional research into Argenti’s gave me the impression that this was the correct floor. I looked down at my watch. 7:07 by the time we got to the floor. When we exited the construction elevator, the air began to grow thick. This is the place I thought to myself. It had a similar eerie feeling to the warehouse of my dream, but was a lot more defined. It didn’t look exactly like the dream scene, but there were elements. The bar on the left was long gone, with about ½ of the bandstand left on the right. One consistency did exist between the dream and my reality: the beam, which held an old clock, was there in the middle. Instead of an old school analog clock, a digital clock was there, saying 1909.
I had time to kill. For me, the big unresolved elements were the additional 10 people who died and who the shooter ultimately was. I struck up a conversation with the security guard, who had worked in the building for the 2 month period since the fence went up.
“Have you ever seen anything.. weird on this floor?”
“Outside of the occasional rat, not really,” Frank opined. “I’m a hired gun, this is just one of my jobsites. Landen seems to pay well from everything that I have heard.”
I checked my watch partially through Frank’s patrol. 748 PM. I figured I would be blunt, as Frank seemed to require direct communication.
“Have you heard about the Whistle Massacre?”
“Yeah, every kid in Rockspring has, dude.” Frank dismissively responded. “You know the song, right?” Admittedly, I did not know it. “Can you sing it?
“Ok,” Frank sighed “One becomes Two and Two becomes Three” Frank started to sing in a monotone sing-songy voice “The whistling voice will never get me!” This song started to conjure up a memory “Three becomes four and four becomes five, I don’t know if I’ll get out alive!” It was a playground song. I never went to school in Rockspring, but I had heard some kids sing it outside of the library before they set off those bottle rockets. “Five Becomes Six, and Six becomes Seven, it looks like that soon I’m going to heaven!” This was some pure Ring around the Rosie Shit. “Before I could leave, something happened to me, and that was the date that Seven became Eight.” The singsongy nature got to me. I checked my watch again. 755 PM, let’s get back to the third floor. I ask Frank if he’s done with his patrol “give it 10 minutes” he hurriedly mumbled. He ran into a large HVAC room, I waited for 10 minutes, and, sure enough, he came back out at 8:07. “Alright,” Frank said, “Let’s get back to 3.”
The clock read 2011 by the time that we got back up to the floor. Still a little bit of time to kill before the whistle came out. “Have you ever hear of anyone trying to do the Whistle Challenge?” I asked. Frank’s entire demeanor changed after this, as if those words were magic. “Dozens of people have tried to get in during the last couple months” Frank observed “Some got into the building before we completely took over. Some figured out the ‘correct’ floor, but most just tried to whistle on the ground floor, which may have caused nothing to happen. It is interesting though, a few accounts that people had were dormant shortly after they completed the challenge. Perhaps they discovered the truth, whatever that means, and couldn’t handle it. Perhaps something else happened. I would try to reach out to those dormant accounts, but it sounds like they’re gone now. I did write them down one night to kill time between patrols if you have any interest. It sounds like we’re about to get a front row seat to this show.”
“So you think about this a lot.”
“Yeah, when you’re stuck in an abandoned building, I guess the algorithm sends you content around the building,” he admitted. “I don’t know much about the building outside of the challenge and the massacre, but I’m not completely blind”.
2027 The clock read above. Time to explain before I completed the ritual.
“Ok, so I am going to blow this whistle at about 2038, don’t be alarmed by it. I will also begin recording right after. Please try and stay still unless there’s absolutely something that you need to address on another floor”
“Copy,” Frank said.
We still had 10 minutes to kill. I was quiet for most of it, listening to Changes by David Bowie, both excited and terrified to see how the building reacted. I set up my phone with a microphone. Then, 2037 came. I pulled out the whistle, which I tested at home before I drove over, and gave it a blow.
There was a larger amount of reverb than expected. My phone was on a tripod, scanning the room at regular intervals. Nothing seemed to happen. No gunshots, no screams, not even Jazz music. I then looked over at Frank again, and what he said would change everything.
“It had been 72 years, since 7 became 8” he said, again using that singsongy voice, but with a manic energy. As he started speaking, I got my phone off the tripod, pointing it directly at Frank.
“But for vengeful vixens, it’s never too late”.
“8 became 9, and 9 became 10. The killings have started to happen again”.
He started slowly walking towards me.
“10 became 11, and 11 became 12, why did they go, where death has dwelled?”
I stepped back, he slowly started to reach for his holster.
“12 became 13, and 13 became fourteen, they didn’t realize the spirits were mean.”
He pulled the gun out. I had to get out ASAP. I stopped recording and ran for the elevator.
“14 became 15 and 15 became 16!” He loaded the pistol and took off to safety. I was in the elevator pressing the buttons hurriedly. The cage elevator door closed, slowly starting to go down
“16 became 17 and 17 became…!”
Those were the last words I heard before I ended up on the ground floor. I hurried to the fence, hearing footsteps coming slowly down the stairs. I unlocked the fence door, and booked it to my car. I drove to South Rockspring, not looking back at 18th Street, hoping not to see a car tailing me.
The first thought I had was to check the police report again from the YouTube video. While it still said 18 deaths and 0338, I did notice something in the upper right hand corner that made my heart sink.
Updated February 26th, 2025.
Have you ever been to a city where, when you cross the street into a new block, the overall demeanor of the area feels different? For me, that is 18th Street in Rockspring, Illinois
I am a local historian that has studied Rockspring and surrounding areas for the past 5 years. I have given tours in the past to make ends meet financially, but the shift has been to partner with restaurants, bars, and small businesses to promote their business in exchange for food deals and a few dollars to get by. It’s been a bit of a shock. I thought my research would be enough, but now I have to approach places I would never go to otherwise and shake down for cash, like some sort of influencer. At least I have a lifetime sauce pass at Greg’s Buffalo Wings
One component of this locally that has been popular is the “whistle challenge”. We are a fairly mid-sized city in the US that shuts down after a certain hour: 2:00 AM. The remaining 24 hour diners that would fill the 2:00-6:00 AM slot were priced out of Rockspring by the mid 2010’s, with COVID being the death knell for the last diner we had, Damien’s Diner. With that being the case, the last destination often ends up being 18th Street.
The videos are mostly TikToks and reels of some drunk twenty-somethings whistling in an abandoned warehouse before they inevitably get scared and stop recording.The origin of the challenge is said to have originated from a video uploaded to YouTube back in 2017, where true-crime creator bloody-bone118 told the story of the Whistle Massacre. Below is their interpretation, with some of my notes:
This massacre occurred in 1922, during the height of the Jazz Age. 18th Street at the time was a bustling destination in a black neighborhood, one of the most diverse neighborhoods in the city. In the Era of Prohibition, it is where you would go to find a speakeasy. Bloody-bone118’s video highlighted this, using jazz pieces (some of which came after 1922) juxtaposed against historical images from the club to make their point.
The climax of the video talks about how, around closing time, a distinct whistle was heard from inside one of the most notorious speakeasies, Argenti’s, and the patrons of the club were mowed down in the gunfire of an early tommy gun. The gunfire effect used at this point definitely had more in common with a more modern submachine gun, but I won’t hold it too much against the user. Can’t find many tommy guns in the modern era to recreate the sound perfectly. The coda is the story of 18th Street afterwards, with the systemic defunding of the neighborhood in the 50’s and 60’s and urban renewal of the 70’s causing 18th street to be a shell of itself for decades, adding the sliver of hope that development had begun along the street again. Like most of YouTube, the video ended with a like and subscribe
The key part of the video that has inspired a slew of creators is the exact time that the whistle occurred. Bloody-Bone’s video said that the time was around 0338, citing a police report in the footnotes, and most creators try and whistle around that time. Something felt off about the time that the shooting was reported to happen. Argenti’s usually closed off by about 0230, and the casualty numbers (18 people) were much greater than the number of staff that would still be cleaning up by the time the speakeasy shut down for the night. When I clicked the footnote, I was directed to a police report. Shit I thought to myself, cops aren’t going to give their records up that easily, they may not even have files from 1922. There was one other lead that I thought to interrogate.
Going back to the video, I got to the part immediately after the shooting ‘the lone survivor was Sammy Gambino, a known mobster who was an outcast from the Gambino crime family, he would go on to have one son in 1928, Tullio.
Tullio, I thought to myself. If he is alive, he is 95 years old, and may have never heard about the massacre. It was worth a try to find information.
A search online quickly found that Tullio had died in 2006, but another interesting lead came upon initial research: Tullio had completed a recorded interview from 1994 for a local oral history of 18th street. The catch? It hadn’t been digitized, but the recorded interview apparently was available as a cassette at Rockspring Libraries South Branch. I hopped in my car, hearing the sound of sirens as I put my keys into the ignition.
The South Branch was an unassuming building that could have been a high school gymnasium if I hadn’t pulled into the parking lot since I started doing professional tours. I found a spot close to the front of the lot, and stepped through the revolving door.
The space itself is small: an adult fiction and nonfiction section to the right, a smaller kids section to the left, and a bank of about 8 computers immediately behind the librarians. Not the elaborate libraries that get depicted when people think of academic research. I went up to the front desk, a twenty-something with a water bottle that had a ‘D.A.R.E.’ sticker on it, and began my spiel
“Hey, do you happen to have the cassette recording from Tullio Gambino about 18th Street in stock?” I began
“Yeahhhh” the young man said, practically sighing, clutching his bottle “Lemme see if I can dig it out for you”.
He left the desk for a few minutes. I briefly glanced at the book he was reading, Serpico, and sat down on the couch by the front door. About ten minutes later, he came back with a small, plastic bin.
“It appears that just the cassette is available. Follow the instructions inside, and be sure not to scratch it”. He checked it out hastily, giving the cassette to me.
I walked out, holding the bin carefully and packing it into the trunk of my car. Just then, I heard a bang immediately to my left. When I looked, it was just teens firing off bottle rockets. I sighed, and headed back to the apartment.
Luckily, one of my partnerships was with a refurbishment business that had sold me a 1995 cassette player. I put the cassette inside, reading the instructions before I recorded it.
05/01/1994
The last bit was baffling to me. Perhaps this was a relic of an earlier time. Regardless, I decided that it wouldn’t hurt too much to record from my phone and have transcription, so I turned on the cassette player and hit play, and left my phone to record the cassette as I made dinner.
Once dinner was made and eaten, I came back to the room with the tape. It appeared to be skipping on the phrase ‘and he’s’, so I quickly removed it from the player and grabbed my phone.
Using the transcript search function, I found the word Argentis was first mentioned, and started to hit the play button about five seconds before.
Interviewer: So we talked about Ray’s Barbershop, but one building that never was occupied during your life seems to loom large in it, Argentis…
Tullio: Yeah, that was my dad’s problem (chuckles lightly)
Interviewer: Did he ever tell you about it?
Tullio: Off and on, was a nice place to run some rum I guess.
Interviewer: But what about the Whistle….
Tullio: Oh God
Interviewer: Do you not want to talk about it?
Tullio: You ever heard of omerta?
I paused the recording once Tullio said that. Hope this isn’t a dud I wished for myself. I pressed play, listening intently.
Interviewer: Do you feel comfortable talking about what he told you, if anything, about the Whistle Massacre?
Tullio: Sure… they’re all six feet down and breathing manure anyway. My old man Sam always told me bits and pieces about it over the years. The stories varied, depending how he felt. Some nights, he made the hero and courageously tried to save the patrons before ducking. Some nights, he’s the coward, saving his own hide before the shots go off. The basic premise of the story is the same. It was half past open, and he was a Gin or more in, flirting with a lady that would be swiss cheese soon. He heard an ACME of all goddamn things and got a sense about him, always says a halfsecond before everyone else, ducks out of the space, and gets his ass off the street as quickly as he got into Argentis.
Interviewer: Did he know who the man was?
Tullio: Nope, a total ghost. You’ve read the papers. 8 dead. Massacre of Rockspring. Whistle Massacre. I’ve heard from some fellow south-siders young kids are trying to whistle in the abandoned space? Macabre shit. That’s All
Interview: Alright, let’s move on and talk about South Rockspring a bit….
I paused there, my heart jumping a beat and breath feeling thin. Three basic facts of the widely accepted story had been completely disproven. The streamers trying to resurrect a ghost in the factory space were doing it all wrong. It wasn’t a simple audible whistle, it was a police whistle. And the time would have been sometime around open, or whatever “half past” meant, not 3:00 in the morning. The last bit, the death discrepancy, was puzzling to me. 10 people off on the police report? Who were the 10 people that the paper didn’t report? By this point, I was ready to do a preliminary investigation of 18th street. I looked at my clock, however, and it was 11:07 PM at night. I haven’t slept well, I mumbled to myself. I closed my curtains, sealed myself off to the world, and crashed in my bed, an eerie feeling plaguing me as I closed my eyes.
The Following Journal was found at 1835 Oak Street Apt 107 in Boulder, Colorado. It is partially Burnt.
I hadn’t been getting sleep over the past couple weeks, and the Banner ad on the Daily Camera’s website promised $5,000 in a month.
The catch? Be part of a clinical study for a new medication that supposedly enhanced REM sleep.
After an initial screening at the nearby university, I was sent home with small, rectangular tablets. “Take one a night, about 30 minutes before bed” the physician instructed.
“Ok,”
“And your dreams might be a little odd for about 10-15 minutes, please record everything you remember from those periods”
“I’ll try and remember to do that”
So, I got a journal, and started writing.
Night of 1/15/2025
Nothing super odd. Had a dream about falling down a mountain and woke up in a cold sweat. Woke up super refreshed.
Night of 1/16/2025
The dream period seems to be getting slightly longer. Had a dream that I was scrolling on my phone in an alternate reality and woke up.
Night of 1/18/2025
Dreams are definitely getting longer. Another falling dream happened. Starting to notice random black circles in my dreams. I’ll call the Doctor about it in a couple hours.
UPDATE
Called the Dr [Text is burnt]
[Text is Burnt] 21/2025
The circles are becoming faces. Dreams are starting to be a consistent, longer length. Dr recommends giving it another week, with payment in full guaranteed if I continue to record after quitting the meds.I swore today I saw a black circle on my drive home from the college.
Night of 1/24/2025
I’m feeling cold. It’s a 65 degree in January somehow and I’m chilly. I swear I see a face outside my apartment just looking at me. Been having weird dreams about being at Black Hawk. Maybe that’s what I should do with that 5K
Night of 1/28/2025
Constantly wearing a sweater around the apartment now. Last day on the meds per the dr’s orders. He told me to keep writing. Face seems to be outside my complex. It is like a black silhouette
Night of 2/4/2025
Face is outside the apartment door, just hovering there. Had neighbor come over to try and see face on the pretense of [text is burnt] only I see it
Night of 2/8/2025
[Text is Burnt] Sleep is back to being choppy, almost [charred text]
Night [text is burnt] 2025
Messed up bad. Took 4 pills after a rough date to get a good night’s sleep. Dreamt I was walking through a tunnel with the damned face creatures, all smiling to me. Woke up one over bed. Called doc, he [text is burnt] going to try a sleep pod
Night of 2/13/2025
[Text is unreadable save the word’s ‘sleep pod’ and ‘’flames’]
Night of 2/14/2025
Flames stop faces. Flames purify all. Fire will [burnt text] make it bigger, bigger, and bigger. They Burn.
One the night of February Fourteenth, a concerned neighbor called to report a burning smell from Apartment 107. Officers found the subject completely on fire, somehow asleep and saying ‘they burn, burn, burn’ repeatedly. He is at the Boulder Burn Center being treated for burns while police investigate the situation. This Journal, along with written testimony from the Doctor and a probing of the review process for the trials are part of an ongoing investigation.
This Review will be featured in Mile High Horror’s Zine What Evil Lurks, Vol 3 #3
In 2007, the horror movie genre had a lot going for it. From the original
dark fantasy of Guillermo Del Toro’s El Laberinto Del Fauno (Pan’s Labyrinth)
to sequels in the Saw and Resident Evil franchises to the adaptation of the
graphic novel 30 Days of Night, the variety of content for a regular watcher was
encouraging. Along with these films, there were two Stephen King adaptations
that year: The Mist, a story about a town trapped in a grocery store by a deadly
fog, and 1408.
My first rewatch of 1408 happened in the midst of COVID-19. The story of
Mike Enslin, a skeptical horror writer who attempts to stay in the infamous room,
1408 didn’t have a ton of sticking power when I first watched it as a moody
teenager in 2007. In 2020, the familiarity of being confined to my apartment
because of the pandemic was something that made the viewing experience
better, as the idea of a room sapping the life out of me became personalized.
Like many of Stephen King’s later works, 1408 has a lot of similarities to
past adaptations. The Shining is the first to come to mind, as both are stories of
struggling writers that, in some capacity, are being driven crazy by the hotels
around them. The major difference between Mike Enslin and Jack Torrance
is, instead of fully succumbing to the crazy, Mike finds a way to beat the room,
sacrificing himself in literal trial by fire at the end.
The big throughline between both The Shining and 1408 that works the
best is the use of tension in both films. Starting small with a bedside countdown clock and the haunting melody of The Carpenter’s “We’ve Only Just
Begun,” the room gradually ramps up its fight against Mike, using everything
from flashbacks to his father’s and daughter’s hardships to ghosts of previous
guests to the fake-out ending where it tries to trick Mike into thinking he never
checked in to begin with. Throughout the film, John Cusack’s portrayal of a man
living through his regrets and the supernatural carries the story, punctuated by
Samuel L. Jackson’s Gerald Olin, a stern caretaker of the Dolphin Hotel and
the room, adding to the flavor of the film.

The most interesting aspect of 1408 is the fact there were four endings
written for it. The original cut involved Mike Enslin dying in the room, with
Olin trying to give Mike’s ex-wife Lily (Mary McCormack) the tapes and being
rebuked, ending on a shot of Mike and his daughter (Jasmine Jessica Anthony)
in the burnt-out 1408. This ending was cut for theatrical release, opting for two
different endings that had Mike survive and hear his daughter on the recorder
at the end. One additional ending has a voiceover of Mike’s funeral, with Lily
and Mike’s publisher Sam (Tony Shalhoub) reading through his manuscript
and ending on the audio for the room. The ending that resonates the most is
the original director’s cut, as the theatrical versions downplay the sacrifice
Mike makes by letting him live, and the other version fails to emphasize that
the room is effectively “dead,” which seems important.
1408 is a smart, character-driven Stephen King adaptation. Rather than
rely on the action gimmicks of its peer movies like I Am Legend and Resident
Evil: Extinction or simply the torture porn exploitation of Saw IV or Captivity,
it explores topics of grief and regret through its storyline, putting characters
before gimmick. It embodies Stephen King’s philosophy of building compelling
characters vs. sacrificing them at the altar of plot, and it is a worthwhile re-watch
Sci-Fi Horror has a long and rich history. From the Alien films of the 1970s
to more modern offerings such as Sunshine and Life, the final frontier of space
offers an escape into an unknown, terrifying universe. But what happens when
long-established franchises make the leap outside of Earth’s gravity? To answer
this, I watched four of the most established franchises that made it to space.
This is what I discovered regarding each film as they braved the final frontier.
| Franchise | Movie Name | IMDB Rating | Year |
|---|---|---|---|
| Friday the 13th | Jason X | 4.4/10 | 2001 |
| Hellraiser | Hellraiser IV: Bloodline | 5.1/10 | 1996 |
| Critters | Critters 4 | 4/10 | 1997 |
| Leprechaun | Leprechaun 4: In Space | 3.5/10 | 1996 |
Jason X

Acting as the 10th film in the Friday the 13th Saga, Jason X feels very much
like an oddity to the series more than anything else. With a combined Nightmare
on Elm Street/Friday the 13th franchise teased in the previous film, Jason Goes to
Hell, Jason X was a stopgap film conceived by Sean Cunningham. Set as the lattest in the series chronologically, Jason X tells the story of a cryogenically frozen
Jason (Kane Hodder, in his final appearance as the character) and scientist
Rowan LaFontaine (Lexa Doig), who awake in the year 2455. With bad CGI and
a stale human cast, Jason X feels like what it was initially supposed to be: a filler
to reintroduce people to the character after a nine year gap between movies.
Hellraiser IV: Bloodline

Based originally around a group of supernatural beings called Cenobites
that are summoned via a puzzle box, Hellraiser feels like a significantly better
fit for going to space. The execution is haphazard, however, with the main
thrust of the story being a multigenerational telling of the origin of the puzzle
box. The end of the film hilariously mirrors that of A New Hope, with Pinhead
and the Cenobites being blown up in a gigantic puzzle box space station.
Despite Bloodline acting as the last Hellraiser movie chronologically and
original director Clive Barker stepping away from the series as it transitioned to
video, the later Hellraiser films didn’t completely suffer. With the following film
acting as a Jacob’s Ladder-esque psychological thriller and the most recent film’s
exploration of different elements of hell, the series proved to still have surprises
up its sleeve after leaving Earth’s atmosphere. In fact, a new Hellraiser film is
slated to come out this year.
Critters 4

The best fit out of the four series’ for going to space, the previous Critters
films were known primarily for a strong first film that Roger Ebert praised, a
second film that the director has all but disavowed, and a poorly received third
film that marks actor Leonardo Dicaprio’s film debut. The fourth film acts as
the end of the original series, with the fifth being a 2019 reboot. Unlike its more
goofy predecessor, Critters 4 at parts seems more like an Alien movie than a
continuation of the series, with the same feel of claustrophobia. However, it
still hits some of the comedic notes of its predecessors, with the crew having to
deal with an onboard AI that does the opposite of what it is commanded to do.
Leprechaun 4: In Space

As part of a series completely familiar with gimmicks, Leprechaun 4 continues the trend. With the previous film set in Vegas, the franchise ups the ante
for the fourth installment, opening with the title character marrying an alien
princess with the intent of killing her to gain power over the kingdom. In a lot
of ways, Leprechaun 4 has some parallels to Moon 44, sharing a primary plot point
of mercenaries attempting to secure mining operations. Goofiness ensues
throughout the movie, from the Leprechaun using lightsabers to his becoming
enlarged to subdue his prey.
Unlike the other franchises, Leprechaun 4 didn’t mark a significant shift in
the tone or direction of the series. Four additional films have been released
since then: the Leprechaun goes to the Hood in two of them, there’s an origin
story, and 2018 saw a well-received direct sequel to the original movie.
Concluding Thoughts on the Final Frontier of Horror
When I went into writing this article, I expected that going to space would
be the death knell of at least one of the series that I looked into. However,
space seems to act as something entirely different. Hellraiser and Leprechaun
were the only standalone franchises that didn’t have a nearly 10-year gap before
their space-going films, but Friday the 13th’s Jason X was shortly followed by a
fan and critical favorite in the franchise crossover Freddy Vs. Jason. Even the
Critters series, with the longest gap between its space film and the soft reboot
in 2019, still had a successful side project between the films—a series that
premiered on the streaming service Shudder called Critters: A New Binge. To
clarify, more than a small step for horror happens when entering space, but
change isn’t necessarily crippling. It can be a giant leap for horrorkind and
inspire the genre to push boundaries and try some unique ideas.
Featured image is a still from Jason X
“Help. Me”
The three knocks were accompanied by the faintest voice. Looking out the peephole, I saw the figure, a lanky, thinly looking man with a ragged pair of jeans on, a long black sweater with gloves, and a black ski mask that obstructed his face. I was about to let him in when when the voice of Grandma shocked me from behind.
“DONT OPEN THE DOOR!”
I stopped, facing her while I took my hand off the doorknob.
“You think its a melt, don’t you?”
As I said these words the voice repeated its plea, slightly louder now.
“Help. Me”
“Don’t let him trick you” Grandma demanded. “These creatures want you to feel pitiful as they rob you blind.”
I went back to the door, trying to figure out how to prove to Grandma this thing wasn’t a Melt.
Heading back towards the door, I formulated my line of questioning.
“What is your name?”
A quick hesitation, and then a response
“Harold”
Looking back to Grandma yielded the predicted response.
“That means nothing!
Back to the questions
“Why are you outside?”
In fragments, he said “Car. Broke. Down. Need. Warm”
I peered through the window next to the door and saw nothing. Snow was coming down in sheets, and our house was the only one for miles, so it was plausible he walked from his vehicle.
Grandma would believe none of it, staring at me intently with her arms crossed.
The man knocked on the door again, three times, more heavily than the first time.
“HELP. ME” he yelled louder
I looked to my grandmother as she mouthed one word to me. Don’t.
“LET ME IN” the man screamed.
Three more knocks, feeling like they were shaking the foundation of the building.
“LEAVE US ALONE” Grandma yelled at the voice.
“HELP ME”
Silence for a second. I peered out the keyhole again. The figure stood like a sentinel, with only its breath signifying that it was alive.
I stood at a crossroads. My options before me were both grim: on the one hand, I could keep the door closed, satisfying my grandmother and dooming the person outside. On the other, I could let him in, likely putting my grandmother into hysterics and possibly endangering ourselves to a complete stranger.
Considering what I had to do, I stepped towards the door, looked out the keyhole, and began to turn the doorknob.
To Be Continued.
In Deepest Winter/When Worst Cold Is Felt/Beware the Three Knocks/Beware Of The Melts
-Folk Rhyme, Origin Unknown
Seven Degrees. A measurement that I had previously associated with being connected to someone. In my new home in Colorado, it served as a reminder that outside was an inhospitable wasteland.
Inside wasn’t much more friendly. The primary thing regulating the temperature in the old home was a fireplace, one I had to manage myself because my aging grandmother could not by herself. The hostility inside extended to her as well.
You see, my grandma was near the end of her life, and a nursing home to her felt like a death sentence. As the youngest sibling with no obligations, no job prospects back home in Florida, and, according to judgmental relatives, no hope, I was the natural caretaker for her. Her growing dementia made it hard: she saw things, could hardly remember who I was, and acted hostile to anyone beyond me that came through the door.
As I entered the home that night, she was sitting in her chair, an ancient piece that wouldn’t be out of place in a Victorian novel. “Who are you!” She shouted, as her eyes turned to daggers shot right at my head. After taking off my layers, she settled down, realizing I was friend. Coming from the store, I started to cook the one meal she consistently ate: Oatmeal with banana, cinnamon, and brown sugar.
I put the bowl in front of her, and she started to eat, watching the door the entire time. The focus on the door was so intense at times that her focus on eating disappeared, as oatmeal missed her mouth and hit the floor. Wondering, I asked “Grandma, Why are you watching the door so intently?
“I’m waiting for a melt to show up.”
“What is a melt?” I inquired, not knowing the Pandora’s Box I had open.
Without relaying the conversation in full due to the ramblings beyond the scope of the question, a melt was the spirit of a person that died in the midst of winter.
“Melts, my boy, will wait until the coldest hour to begin their rituals”.
The ritual, she elaborated on, was simple: they would knock on the door of a house three times, ask to be let in, and proceed to murder everyone in the home.
“What do they look like?” I wondered aloud to her.
“A melt will be covered head to toe when they come to your door. Underneath the clothes, ice.”
Excitedly expanding on the legend, Grandma warned that the only way to kill a melt was to not let it in.
“Surviving a melt simply requires you to not gives into their lies. Keep the door closed, and you will see a puddle on your doorstep in the morning, a sign that the melt has not succeeded”.
Playing along with Grandma’s delusion, I started to ask how a melt becomes a melt, still curious as to what they got out of their home invasions. As her eyelids starting to droop, I realized that my questions would go unanswered. Finding a heavy blanket in the armoire next to the grandfather clock, I tucked her into her seat, adding one more log to the fireplace before heading to my room.
The inside of this house, much like the living room, felt like an exhibition more so than a living space. At night when grandma was asleep, it felt intimidating, with the walnut table and the mahogany chairs of the adjacent dining room whispering their secrets in the creaks that they made when used. The only hint at modernity in the home was the kitchen attached to the dining room, with a fridge and a cupboard replete with the staples of a poor household: Beans, Rice, Bulk Oatmeal, and spices.
I was cleaning the bowl of oatmeal out, putting it on the dry rack. Making myself a cup of tea, I sat at the dining room table, scrolling through my phone to check the news, check my email, and apply for the odd job or two. All of a sudden, I heard a knock at the door.
And then another one
And then a third.
To Be Continued
It was May of 2021. I had just gotten my second dose of the COVID-19 vaccine, the pandemic was on the downswing in Colorado, and we were just coming out of an incredibly snow filled winter. I had only moved to the day shift of my previous job after a medical incident that left me fairly incapacitated about four months ago, and being on the day shift was my one way to look for jobs.
The stress from my job was getting to me. Returning to day shift in a frontline position meant effectively being the “mask police” for hundreds of people a week. The Delta variant had just been identified in the States, and its presence along with the alpha mutation caused me to be nervous and fear for my life. I would often end my shifts by getting unaffordable takeout and browsing YouTube videos.
Beyond the issues in relation to COVID, my previous employer had all the trappings of a bad retail position. Management would foster a “family” environment among the rank and file, only to use it against us when members of our “work family” called out for a particular shift, and offered little in regards to mental health when it came to day to day interactions with customers.
In the background of all of this, I was in the final stage of interviewing for a new job. My luck in the job market prior to this was not great, with the closest job that I got during this period being a call center representative for Comcast (which I turned down).
May 18th was the day I got the job offer. A raise that would allow me to live a fairly modest lifestyle in a one bedroom downtown, consistent hours, and a foot into the field that I wanted to be in sealed the deal. I gave my two weeks notice at my former employer, and left the same way that I arrived in November of 2019, with little fanfare.
Nearly six months later, even as Denver is is in the midst of a new variant of COVID that threatens to overwhelm our hospitals, changing jobs made the rest of my life significantly easier. The nearly yearly stress of having to roll the dice for roommate or ask for financial help from relatives have subsided.
If I had any advice for people frustrated in their current positions that have instability and unpredictability in them its this: start looking for a new job. From the time that I seriously started looking to the point that I accepted my new job was roughly 4-5 months. I’m not going to mince words: job searching is shitty and feels like an exercise in futility. The reward once you leave, however, can often be a life changing experience.
Featured Image is a Graph from Fortune Magazine of Resignations Since 2001
This Piece Was Originally Published in Mile High Horrors Bimonthly Publication “What Evil Lurks”
Winter Solstice. The best shift for an overnight guard. Despite this, I’m dreading the 12 hours that I will be on this shift due to swing shift calling out sick. 12 hours means three patrols of the building, twelve hourly logs, and watching a whole lot of nothing due to the winter storm raging outside the old nature museum.
Hour 1: Interior Temperature 68 Degrees, 10% humidity at 1954.
I settled down for a large cup of coffee. It is a solitary job being in a museum at night. As someone who has been a night guard for 3 years, the initial shocks of the noises that the building makes—the creaks of the architecture and the billowing steam of the mechanical systems—have become ambient noise. The displays of the sabre-tooths and predator animals no longer shock me on patrols. Humanity is the ultimate predator in my eyes.
Hour 2: Interior Temperature 69 degrees, 8% humidity at 2057. Contract snow service called.
These logs are nonsense. Created mostly for giving nights busywork and partially due to a night guard falling asleep a couple weeks ago. The contract snow removal service we have will be here around 5 AM, ready to clear the path for visitors that will visit the next day. Icicle removal is also their forte, as many will build up around the entrances.
Hours 3/4: Interior Temperature 67-68 degrees, 8-10% humidity at 2154 and 2258. First Patrol Complete.
At least patrols make my job easier by breaking up the night a little bit and getting me out of the dispatch center. The patrols usually last about an hour and a half, coming down to a science of 18 minutes per floor in this five-floor building.
Hour 5: Interior Temperature 65 degrees, 12% humidity at 2301.
This is when I would usually start my shift. My supervisor called me in regards to the higher humidity, said to monitor it and alert if it goes above 15%.
Hour 6: Interior Temperature 67 Degrees, 10% humidity at 0011.
Solstice is over, officially. Halfway through the shift as the coffee is replaced by water. My microwave burrito and frito chips are my solace. Time for another patrol.
Hour 7/8: Interior Temperature 64/66 Degrees, 7% humidity at 0104
and 0210. Second Patrol Complete.
Time to babysit. The museum is bordered by bars, breweries, and concert halls, and drunks often use our campus as a place to catch a rideshare, particularly on a blizzard night like tonight.
Hour 9: Interior Temperature 65 Degrees, 11% humidity at 0312. Person has fallen in a snowbank and shows no sign of movement. Called police to perform a check on them.
This is perhaps the only action I will see tonight. It was sudden: one minute, they were standing, as if waiting for something to happen.
Hour 10: Int…
As I started to write this entry, I saw something on cameras that made me jump. The person in the snow bank got up, headed for our front entrance, and slammed their entire body against the door. I’m rising from my seat, frantically heading to the entrance with my flashlight and a small speaker, hoping to scare the person away. Upon getting to the front entrance, the sight in front of me caused me shock: A figure dressed in a dark black puff jacket, with a face as pale as the snow itself, and dichromatic eyes, one blue, one green. I began shining my light on it, hoping it would repel this beast. Instead, it was drawn to it like a moth and began pounding harder on the door. When I realized that the glass was beginning to crack, I called the police for backup.
I was not able to make any logs for hours 11-12, as I was anxiously waiting for the police and snow service to arrive. When the police cruiser arrived around 6:00 AM, the creature had given up, probably afraid of the repercussions it would face. The incident served as a reminder to me of the oddities and monsters that exist in the world, especially on the longest night of the year.